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MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

 

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MENGS, Anton Raphael Ferdinand IV, King of Naples oil painting

Painting ID::  8189

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MENGS, Anton Raphael
Ferdinand IV, King of Naples
1760 Oil on canvas, 179 x 130 cm Museo del Prado, Madrid
   
   
     

 

 

MENGS, Anton Raphael Maria Luisa of Parma sg oil painting

Painting ID::  8190

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MENGS, Anton Raphael
Maria Luisa of Parma sg
1765 Oil on canvas, 48 x 38 cm Museo del Prado, Madrid
   
   
     

 

 

MENGS, Anton Raphael Self-Portrait w7785 oil painting

Painting ID::  8191

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MENGS, Anton Raphael
Self-Portrait w7785
1744 Pastel on paper, 55,5 x 42,5 cm Gemäldegalerie, Dresden
   
   
     

 

 

MENGS, Anton Raphael Johann Joachim Winckelmann oil painting

Painting ID::  19374

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MENGS, Anton Raphael
Johann Joachim Winckelmann
Oil on canvas Metropolitan Museum of Art, New York.
   
   
     

 

 

MENGS, Anton Raphael Charles IV as Prince oil painting

Painting ID::  19375

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MENGS, Anton Raphael
Charles IV as Prince
Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

MENGS, Anton Raphael Charles III oil painting

Painting ID::  19376

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MENGS, Anton Raphael
Charles III
1761 Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

MENGS, Anton Raphael The Adoration of the Shepherds oil painting

Painting ID::  19377

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MENGS, Anton Raphael
The Adoration of the Shepherds
1770 Oil on panel Museo del Prado, Madrid.
   
   
     

 

 

MENGS, Anton Raphael Self-Portrait oil painting

Painting ID::  19378

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MENGS, Anton Raphael
Self-Portrait
1779 Oil on panel Gemäldegalerie, Berlin.
   
   
     

 

 

MENGS, Anton Raphael Allegory of History (mk08) oil painting

Painting ID::  21949

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MENGS, Anton Raphael
Allegory of History (mk08)
c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
   
   
     

 

 

MENGS, Anton Raphael Self-Portrait oil painting

Painting ID::  29638

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MENGS, Anton Raphael
Self-Portrait
1744 Pastel on paper, 55,5 x 42,5 cm
   
   
     

 

 

MENGS, Anton Raphael Glory of St Eusebius oil painting

Painting ID::  29642

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MENGS, Anton Raphael
Glory of St Eusebius
1757 Fresco
   
   
     

 

 

MENGS, Anton Raphael Self-Portrait oil painting

Painting ID::  30060

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MENGS, Anton Raphael
Self-Portrait
mk67 pANEL 38 3/16X28 9/16in Uffizi,
   
   
     

 

 

MENGS, Anton Raphael Judgement of Paris oil painting

Painting ID::  30622

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MENGS, Anton Raphael
Judgement of Paris
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
   
   
     

 

 

MENGS, Anton Raphael Portrait of Johann Joachim Winckelman oil painting

Painting ID::  44069

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MENGS, Anton Raphael
Portrait of Johann Joachim Winckelman
1761-62 Oil on canvas, 64 x 49 cm
   
   
     

 

 

MENGS, Anton Raphael Portrat eines Architekten oil painting

Painting ID::  79066

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MENGS, Anton Raphael
Portrat eines Architekten
1755 Oil on canvas 72 x 59,5 cm cjr
   
   
     

 

 

MENGS, Anton Raphael Portrat eines Architekten oil painting

Painting ID::  82137

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MENGS, Anton Raphael
Portrat eines Architekten
1755 Medium Oil on canvas Dimensions Deutsch: 72 x 59,5 cm cyf
   
   
     

 

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MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime